How large can a photograph be printed?
Every photograph on this site lists its maximum print sizes, calculated from the resolution of the original file — measured, not guessed. The rule is simple: a print is made of pixels, and what matters is not how many there are, but how far away you stand.
At reading distance — half a metre — the eye can resolve extremely fine detail, and a print needs around 200–300 pixels per inch to look perfect. Step back to a metre, where framed work on a wall is actually seen, and about 90 pixels per inch is already beyond what the eye can separate. A large statement piece viewed from across the room can be printed far larger again without any visible loss. This is why cinema screens look sharp: distance is part of the optics.
The four sizes we state
| Tier | Print resolution | Meaning |
|---|---|---|
| Gallery | 300 ppi | Flawless at any distance, nose-to-print inspection included |
| Fine | 200 ppi | Excellent at normal wall viewing (50 cm and beyond) |
| Wall art | 150 ppi | Very good from about 60 cm and beyond |
| Statement | 100 ppi | A large piece, made to be seen from a metre or more |
When do pixels become visible — and when annoying?
| Viewing distance | Pixels invisible above | Clearly annoying below |
|---|---|---|
| 50 cm (leaning in) | ≈ 175 ppi | ≈ 85 ppi |
| 1 m (normal wall viewing) | ≈ 87 ppi | ≈ 45 ppi |
| 1.5 m | ≈ 58 ppi | ≈ 30 ppi |
| 2 m (across a room) | ≈ 44 ppi | ≈ 22 ppi |
| 3 m (large statement piece) | ≈ 29 ppi | ≈ 15 ppi |
“Noticeable” means a critical eye at that distance can begin to detect softness or pixel structure; “annoying” means obvious blockiness that spoils the image for an average viewer. Between the two lies the pragmatic zone where large prints of modest files still look good — because nobody views a one-and-a-half-metre print from fifty centimetres.
A useful rule when choosing: hang a print where its viewer stands back at least one-and-a-half times its diagonal, and it will always look its best.